
Produced by Carlo Traverso, Eric Vautier and the Online
NOTES D'UNE MÈRE - COURS D'ÉDUCATION MATERNELLE - PAR
NOUVELLE ÉDITION CORRIGÉE ET AUGMENTÉE - LA SEULE AUTORISÉE PAR L'AUTEUR - PARIS - BUREAUX DES CAUSERIES FAMILIÈRES
AVIS IMPORTANT
CHAPITRE I - LES ENFANTS D'AUJOURD'HUI. L'ÉDUCATION.
CHAPITRE II - NOTES D'UNE MÈRE SUR L'ÉDUCATION DES ENFANTS.
CHAPITRE III - LES BESOINS ET LES PLAISIRS DE L'ENFANCE.
CHAPITRE IV - LES BONNES.
CHAPITRE V - LE DÉVELOPPEMENT DE L'ENFANT. - I
II
Step into the intimate world of a French mother from the late nineteenth century, whose notebook becomes a lively guide to early childhood education. Through a series of tender observations of her ten‑year‑old daughter, she blends personal affection with sharp commentary on what makes a child flourish. The opening scenes capture a simple yet revealing encounter in a salon, where pride, worry, and humor mingle.
Beyond the anecdotes, the author defends her right to share these ideas after a protracted legal dispute that barred earlier, unauthorized editions. This revised and expanded version presents her thoughts on balancing play, theater, and study, urging parents to shape curiosity rather than suppress it. Her voice is both practical—offering tips on grooming, discipline, and encouragement—and philosophical, questioning the societal expectations placed on young girls.
Listeners will hear a candid conversation that feels both of its time and surprisingly modern, inviting reflection on how we nurture intelligence and imagination today. The memoir offers a warm, thought‑provoking portrait of motherhood that resonates long after the first act.
Language
fr
Duration
~6 hours (390K characters)
Publisher of text edition
Project Gutenberg
Release date
Apr 18, 2006
Rights
Public domain in the USA.
Subjects

1840–1910
A journalist, editor, translator, and author of practical guides, Louise d’Alq brought literature and everyday education together in works for young readers, families, and society. Her influential writing on etiquette and her anthology of women writers made her a distinctive voice in French publishing at the turn of the twentieth century.
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