Notes and Queries, Number 26, April 27, 1850

audiobook

Notes and Queries, Number 26, April 27, 1850

by Various Authors

EN·~1 hours·5 chapters

Chapters

5 total
1

NOTES AND QUERIES: - A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

1:52
2

NOTES - NICHOLAS BRETON.

29:17
3

QUERIES. - WHEN WERE UMBRELLAS INTRODUCED INTO ENGLAND?

7:06
4

REPLIES. - GRAY'S ALCAIC ODE.

37:17
5

MISCELLANEOUS. - NOTES ON BOOKS, CATALOGUES, SALES, &C.

10:38

Description

A spirited forum for the curious, this mid‑nineteenth‑century collection brings together scholars, artists, antiquarians and genealogists who share discoveries, raise questions and trade insights. Its pages buzz with brief notes on poets, obscure manuscripts and linguistic quirks, inviting readers to join a lively correspondence that feels both scholarly and convivial.

The issue opens with a deep dive into the life of a forgotten Renaissance poet, probing the paradox of his modest verses against a surprisingly comfortable estate. From there the journal jumps to a mosaic of subjects— the origin of “penny” and “sterling,” the mystery of the dodo’s extinction, the arrival of umbrellas in England, and folk‑lore about divination and weather proverbs. Each query and reply is concise yet rich, sparking further investigation.

For anyone who delights in piecing together small mysteries and revels in the camaraderie of learned exchange, the volume offers a satisfying glimpse into the eclectic passions that shaped Victorian intellectual life.

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Details

Language

en

Duration

~1 hours (82K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jon Ingram, David King, the PG Online Distributed Proofreading Team, and The Internet Library of Early Journals,

Release date

2004-10-21

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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