
BOOK NINTH. - INITIAL CHAPTER. - ON PUBLIC LIFE.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
"NO."
CHAPTER VIII.
CHAPTER IX.
The novel opens with a witty, self‑aware narrator who likens the rush of public affairs to the steam that powers a locomotive, inviting readers to wonder if they have ever given up personal comfort for civic duty. A lively cast—members of the Caxton family, the ambitious Audley Egerton, and a colorful brigade of politicians, scholars, and strangers—bustles through cramped rooms and crowded gatherings, each embodying a different facet of society’s public stage. Through clever analogies and a conversational tone, the book sets up a gentle satire of how private identities can be lost in the heat of collective ambition.
Against this backdrop, the story follows Riccabocca, a reluctant newcomer coaxed by Jackeymo to settle in a house suggested by the enigmatic Randal, while his pride wrestles with past misfortunes. Their interactions reveal the tension between personal honor and a community eager to absorb strangers like distant relatives at a holiday feast. As the narrative unfolds, readers encounter intimate dilemmas that arise when public duties threaten to eclipse the quieter parts of the self.
Language
en
Duration
~2 hours (162K characters)
Publisher of text edition
Project Gutenberg
Release date
Mar 1, 2005
Rights
Public domain in the USA.

1803–1873
A celebrated Victorian novelist, poet, playwright, and politician, he filled his works with romance, intrigue, historical drama, and grand ideas. His best-known novels include The Last Days of Pompeii, Rienzi, Pelham, and Eugene Aram.
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