
This eBook was produced by David Widger
BOOK SECOND. - INITIAL CHAPTER. - INFORMING THE READER HOW THIS WORK CAME TO HAVE INITIAL CHAPTERS.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
The opening sets a lively stage for a conversation about why every book—or part of a work—should begin with an introductory chapter. A father‑figure insists, quoting Fielding, that such a prelude offers readers a comfortable foothold before they plunge into the main narrative. His interlocutors, including the inquisitive Pisistratus and the dogmatic Mr. CaxTon, spar‑on the merits of “contrast,” literary ornaments, and the occasional authorial cameo. Their banter drifts from classical Greek choruses to the quirky notion that a child must have at least one father, all delivered with a dry, scholarly wit.
As the dialogue unfolds, the characters knit together references to poetry, historical composers, and even a mock‑Latin recitation, each remark revealing their personalities and the book’s playful tone. Listeners are invited to linger over the humor of literary rules while sensing a larger, gently mocking commentary on how stories are framed. The soundscape captures the cadence of a reverie‑like debate, making the experience feel both intimate and intellectually entertaining.
Language
en
Duration
~2 hours (136K characters)
Publisher of text edition
Project Gutenberg
Release date
Mar 1, 2005
Rights
Public domain in the USA.

1803–1873
A celebrated Victorian novelist, poet, playwright, and politician, he filled his works with romance, intrigue, historical drama, and grand ideas. His best-known novels include The Last Days of Pompeii, Rienzi, Pelham, and Eugene Aram.
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