Musical Myths and Facts, Volume 1 (of 2)

audiobook

Musical Myths and Facts, Volume 1 (of 2)

by Carl Engel

EN·~7 hours·16 chapters

Chapters

16 total
1

Transcriber's Note: This e-text contains Unicode characters that may not display properly in your browser or font, such as the sharp music symbol and box drawings. A mouse-hover description of these symbols has been provided, e.g.: C ♯, └─┘.

0:44
2

MUSICAL MYTHS AND FACTS

0:21
3

PREFACE.

2:31
4

CONTENTS OF VOLUME I.

1:11
5

A MUSICAL LIBRARY.

13:20
6

ELSASS-LOTHRINGEN.

30:07
7

MUSIC AND ETHNOLOGY.

15:57
8

COLLECTIONS OF MUSICAL INSTRUMENTS.

1:35:10
9

MUSICAL MYTHS AND FOLK-LORE.

39:11
10

THE STUDIES OF OUR GREAT COMPOSERS.

59:30

Description

This volume opens with a clear mission: to untangle the tangled legends that have long surrounded music and replace them with well‑researched facts. Written in an accessible, conversational tone, it moves from the curious coincidences of bell‑ringing to the folklore of musical fairies, offering readers a tour through topics such as Hindu traditions, the Wild Huntsman, and the strange superstitions attached to instruments. Throughout the text, short musical excerpts are provided, each linked to a midi file so listeners can hear the examples being discussed, and any accompanying lyrics appear alongside the notation.

The author takes care to point out occasional errors in earlier reference works, supplying concise explanations that enrich the reader’s understanding without overwhelming them. With its blend of cultural anecdotes, ethnological insights, and practical musical illustrations, the book serves both the casual enthusiast eager to debunk a myth and the more serious student looking for a reliable, well‑annotated guide to music’s many mysteries.

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Details

Language

en

Duration

~7 hours (438K characters)

Publisher of text edition

Project Gutenberg

Release date

2012-09-27

Rights

Public domain in the USA.

About the author

CE

Carl Engel

1818–1882

A lively 19th-century writer on music, he helped turn curiosity about instruments and musical traditions into clear, engaging books for a wider public. After moving from Germany to England, he became especially known for his work on the history and collection of musical instruments.

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