Motion Pictures, 1894-1912 Identified from the Records of the United States Copyright Office

audiobook

Motion Pictures, 1894-1912 Identified from the Records of the United States Copyright Office

by Howard Lamarr Walls

EN·~11 hours·1 chapter

Chapters

1 total
1

Transcriber’s Note:

11:00:01

Description

This reference gathers every motion picture registered between 1894 and 1912 that appeared in the United States Copyright Office as photographs, then re‑identified as films by a seasoned curator of historic collections. It lists more than 8,500 works—roughly 6,000 distinct titles—starting with Edison’s famous “Kinetoscopic Record of a Sneeze” and ending with the early biblical epic that closed the pre‑amendment era. The catalog not only records basic claimants and dates but also supplies brief explanatory notes that clarify obscure titles and production contexts.

Organized with a detailed main section and a cross‑referenced claimant index, the volume lets scholars and film lovers trace the lineage of pioneer studios, inventors, and early exhibitors. It highlights the shift that occurred in August 1912, when copyright law finally recognized motion pictures as a separate class, marking a key moment in the industry’s legal history. Listening to this guide offers a clear, searchable map of the foundational years of American cinema.

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Details

Full title

Motion Pictures, 1894-1912 Identified from the Records of the United States Copyright Office Identified from the Records of the United States Copyright Office

Language

en

Duration

~11 hours (633K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Richard Tonsing and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2018-04-12

Rights

Public domain in the USA.

About the author

HL

Howard Lamarr Walls

b. 1912

Best known for documenting the earliest years of American film, this careful researcher helped preserve a huge slice of cinema history on the page. His work remains a useful doorway into silent-era copyright records and early motion-picture production.

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