
I NOIR, VIOLET, ROUGE
II UNE CARTE DE VISITE
III MONSIEUR ET MADAME COUSINET
IV UNE VOIX DANS LA CATHÉDRALE
V LE TACOT ET LA TORPÉDO
VI UN HOMME DU PASSÉ
VII IL FAUT QU’UNE PORTE…
VIII LA RELIGION, LA FAMILLE, LA PROPRIÉTÉ
IX HISTOIRE DE LA PUCELLE
X POUR LA CAUSE
A humble parish priest from a small countryside village finds himself summoned to the opulent half‑wing of an archbishop’s palace, a place where faded saintly portraits stare down corridors of power. The invitation, delivered by a discreet valet, sets off a chain of uneasy introductions with a sharply dressed secretary who seems to wield a cold, almost bureaucratic authority. As the priest, comfortable with baptisms and funerals, navigates the polished yet intimidating environment, he confronts a clash between his pastoral simplicity and the demanding expectations of high‑ranking clergy. The tension is heightened by veiled references to wartime service and the lingering weight of a war‑scarred generation.
Through witty yet uneasy banter, the two clergymen test each other’s humility, ambition, and loyalty, revealing the subtle politics that shape the modern Catholic hierarchy. The priest’s earnest desire to serve the faithful meets the secretarial figure’s insistence on propriety and image, hinting at deeper conflicts that will challenge the newcomer’s faith and vocation. This opening sets a thoughtful, slightly comic portrait of a cleric caught between reverence and reform.
Language
fr
Duration
~5 hours (336K characters)
Release date
Jan 10, 2026
Rights
Public domain in the USA.
Subjects

1876–1954
A sharp-eyed satirist of Parisian life, he moved easily between journalism, novels, and the stage. Best known for witty social comedies such as Mon curé chez les riches, he wrote with a lively sense of everyday manners and hypocrisy.
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