Metamorfóseos o Transformaciones (3 de 4)

audiobook

Metamorfóseos o Transformaciones (3 de 4)

by Ovid

ES·~4 hours·1 chapter

Chapters

1 total

Índice

4:33:26

Description

A vivid Spanish rendering of Ovid’s “Metamorphoses” brings the ancient world of shape‑shifting deities and mortals to life, enriched with careful footnotes that illuminate the language and cultural references. The translator’s attention to the original spelling and punctuation respects the poet’s voice while offering modern readers helpful guidance, and the volume is complemented by a collection of period illustrations that echo the story’s magical tone.

The opening tale plunges listeners into the siege of Megara, where the proud King Minos confronts the city’s ruler Niso, whose strange red‑streaked hair marks his reign. From the tower where the young Escila watches the battle, the narrative weaves love, ambition and the looming threat of transformation—hinting at the tragic fates that await both hero and lover. As the conflict escalates, the listener can feel the tension between human desire and the capricious whims of the gods.

Throughout, the work balances lyrical storytelling with scholarly insight, inviting audiences to explore familiar myths from a fresh, richly annotated perspective. The blend of narrative and commentary makes each episode a compact, thought‑provoking listening experience.

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Details

Language

es

Duration

~4 hours (262K characters)

Publisher of text edition

Project Gutenberg

Credits

Ramón Pajares Box and the Online Distributed Proofreading Team at https://www.pgdp.net. (This file was produced from images generously made available by Biblioteca Digital Hispánica/Biblioteca Nacional de España.)

Release date

2021-09-18

Rights

Public domain in the USA.

About the author

Ovid

Ovid

-43–17

Best known for the dazzling "Metamorphoses," this Roman poet turned myths, love affairs, and personal disaster into some of the most enduring poetry of the ancient world. His voice can be playful, elegant, and surprisingly modern, even when he is writing from exile at the edge of the empire.

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