Memoirs of an American Prima Donna

audiobook

Memoirs of an American Prima Donna

by Clara Louise Kellogg

EN·~10 hours·37 chapters

Chapters

37 total
1

Memoirs of an American Prima Donna

0:27
2

FOREWORD

9:15
3

Memoirs of An American Prima Donna - CHAPTER I MY FIRST NOTES

16:00
4

CHAPTER II GIRLHOOD

17:49
5

CHAPTER III "LIKE A PICKED CHICKEN"

17:16
6

CHAPTER IV A YOUTHFUL REALIST

16:56
7

CHAPTER V LITERARY BOSTON

19:43
8

CHAPTER VI WAR TIMES

11:35
9

CHAPTER VII STEPS OF THE LADDER

25:05
10

CHAPTER VIII MARGUERITE

22:32

Description

A vivid portrait emerges of an American soprano who broke new ground in a nation still doubting its own musical talent. From her debut as Gilda in Verdi’s Rigoletto to her trailblazing portrayals of Marguerite in Gounod’s Faust, she forged a path that proved an American voice could stand beside Europe’s finest. The memoir recounts her early years in New England, the mentorship that shaped her, and the exhilarating tours that took her from New York’s Academy of Music to the grand stages of London, St. Petersburg, and Vienna, earning admiration across continents.

Beyond the spotlight, she describes the personal choices that reshaped her life, including her marriage to the impresario who had long guided her career. Settling in Connecticut, she reflects on the quiet moments that followed a dazzling public life, offering insight into the balance between artistic ambition and private fulfillment. Listeners will hear not only the triumphs of a legendary prima donna but also the thoughtful introspection of a woman who witnessed the evolution of American opera from its infancy.

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Details

Language

en

Duration

~10 hours (627K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif, University of Michigan Libraries and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2011-11-15

Rights

Public domain in the USA.

About the author

Clara Louise Kellogg

Clara Louise Kellogg

1842–1916

A trailblazing American soprano, she became the first U.S.-born prima donna and one of the earliest American singers to win real success in Europe. Her career helped prove that American opera talent could shine on the world stage.

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