
Transcriber’s Notes:
MELMOTH THE WANDERER: A TALE.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
In the third installment of this sprawling gothic saga, the reader is thrust into a claustrophobic chamber lit only by a trembling lamp. A weary wanderer crashes through a hidden door into a room staged for a macabre rite: a cloth‑covered table, a mysterious book written in an unfamiliar script, a gleaming knife, and a restless cock crowing in the gloom. As he watches a middle‑aged man perform a bizarre, prayer‑like ceremony, the atmosphere thickens with whispered invocations and an unsettling sense that something ancient is being summoned.
The scene quickly turns personal when the officiant calls a young man “Antonio,” demanding he choose a new name that hints at a terrible destiny—“parricide.” The dialogue exposes a tangled web of religious identity, persecution, and familial duty, as a Jewish father urges his son to sacrifice himself for survival. These early moments set the tone for a journey that will probe morality, superstition, and the restless search for redemption.
Language
en
Duration
~5 hours (338K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Dec 7, 2016
Rights
Public domain in the USA.

1780–1824
A Dublin clergyman with a gift for the eerie and dramatic, he became one of the last great voices of classic Gothic fiction. His dark imagination lives on above all in Melmoth the Wanderer, a novel that haunted later writers from Balzac to Oscar Wilde.
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