
audiobook
Transcriber's Note: Original spelling and punctuation were retained, with the following exceptions. On page, 'a mind native and indued to actuality' was corrected to 'a mind native and induced to actuality'; on page, 'but who have have been discarded' to 'but who have been discarded'; on page, 'The kindgom of adventure' to 'The kingdom of adventure'; on page, 'The Master of Ballantræ' to 'The Master of Ballantrae', as in all other instances of this word; and on page, the one instance of 'A Humble Rèmonstrance' was corrected to 'A Humble Remonstrance' to match the other instances.
MATERIALS AND METHODS OF FICTION
CLAYTON HAMILTON
BRANDER MATTHEWS
INTRODUCTION - I
MATERIALS AND METHODS OF FICTION
CHAPTER I - THE PURPOSE OF FICTION
CHAPTER II - REALISM AND ROMANCE
CHAPTER III - THE NATURE OF NARRATIVE
CHAPTER IV - PLOT
In this thoughtful survey, the author traces the novel’s ascent from a literary outsider to a dominant force in early twentieth‑century culture. By recalling the humble origins of prose‑fiction and its uneasy relationship with the ancient muses, the work invites listeners to reconsider why stories matter beyond mere entertainment. The introduction paints a vivid picture of a genre still defining its place, while gently reminding us of the centuries of doubt that once shadowed it.
The subsequent chapters read like a masterclass, moving from the fundamentals of purpose and realism to the mechanics of plot, character, setting, and narrative perspective. Each section offers clear examples and practical guidance, explaining how emphasis, style, and form shape everything from short stories to full‑length novels. Listeners will come away with a solid framework for both appreciating and crafting fiction, grounded in a rich historical context.
Full title
Materials and Methods of Fiction With an Introduction by Brander Matthews With an Introduction by Brander Matthews
Language
en
Duration
~7 hours (418K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, Alison Hadwin and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2009-12-28
Rights
Public domain in the USA.
1881–1946
A sharp early-20th-century voice on theater, he wrote criticism, plays, and books that helped explain how drama works for both readers and audiences. His work sits at the crossroads of literature, performance, and the New York stage.
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