
Transcribed from the 1888 Cassell & Company edition by Sandra Laythorpe and David Price, email ccx074@pglaf.org
Marmion: A TALE OF FLODDEN FIELD.
INTRODUCTION.
INTRODUCTION TO CANTO FIRST.
CANTO FIRST. The Castle.
INTRODUCTION TO CANTO SECOND.
CANTO SECOND. The Convent.
INTRODUCTION TO CANTO THIRD.
CANTO THIRD. The Inn.
INTRODUCTION TO CANTO FOURTH.
Set against the rugged borders of the Scottish Lowlands, the poem opens with a wandering minstrel who sketches the stark November landscape—gloomy hills, rushing rivers, and the restless shepherds that tend them. In this lyrical frame, the voice invites listeners into a world where history and legend intertwine, hinting at the looming clash between Scotland and England. The verses flow like a marching drum, building anticipation for the events that will soon erupt on the fields of Flodden.
At the heart of the story is a gallant knight, torn between duty and desire, who becomes entangled with a mysterious lady and a web of family feuds. Their personal struggles echo the broader political tensions, and as rumors of war spread, the characters must navigate honor, love, and betrayal. The first act sets the stage for a dramatic confrontation, promising a blend of romance, adventure, and the haunting beauty of a bygone era.
Language
en
Duration
~3 hours (222K characters)
Publisher of text edition
Project Gutenberg
Release date
2003-05-01
Rights
Public domain in the USA.

1771–1832
A giant of Scottish literature, this poet and novelist helped invent the historical novel and turned Scotland’s past into gripping, widely loved stories. His books blended adventure, memory, and folklore in ways that shaped fiction across Europe.
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