
LOS - MERODEADORES - DE FRONTERAS. - —NOVELA ESCRITA EN FRANCÉS POR— - MR. GUSTAVO AIMARD - TRADUCCIÓN DE - D. J.F. SAENZ DE URACCA. - MADRID - CARLOS BAILLY-BAILLIERE - LIBRERÍA EXTRANJERA Y NACIONAL, CIENTÍFICA Y LITERARIA - —Plaza del Príncipe Don Alfonso, núm..8.— - PARÍS - J. B. Bailliere e hijo. — LONDRES - H. Bailliere. - NUEVA-YORK - Bailliere hermanos. - 1863.
I. EL FUGITIVO.
II. QUONIAM.
III. NEGRO Y BLANCO.
IV. LA MANADA.
V. EL CIERVO-NEGRO.
VI. LA CONCESIÓN.
VII. CARA DE MONO.
VIII. LA DECLARACIÓN DE GUERRA.
IX. LOS PAWNEES SERPIENTES.
The novel opens amid the great, untamed woods that once stretched between the United States and Mexico, just as the first waves of settlers begin to carve roads and farms into the landscape. It paints a vivid picture of a world in transition, where ancient forests recede under the relentless advance of progress, and the native peoples are forced to flee the lands of their ancestors. The narrative’s tone is both reverent of the natural world and uneasy about the human cost of civilization’s march.
At the heart of the story is a fugitive who slips into this wilderness on a scorching October afternoon in 1812. A sudden gunshot shatters the quiet, drawing him into a dangerous game of cat‑and‑mouse with pursuers and wary indigenous hunters. As he navigates the tangled canopy and river’s edge, he must confront questions of loyalty, survival, and the morality of a frontier that spares no one.
Language
es
Duration
~8 hours (502K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Camille Bernard and Marc D'Hooghe
Release date
Jul 14, 2014
Rights
Public domain in the USA.

1818–1883
Adventure on the frontier, in Mexico, and across Latin America made his novels wildly popular with 19th-century readers. Writing under a pen name, he turned a restless, well-traveled life into fast-moving tales of danger, loyalty, and survival.
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by Gustave Aimard

by Gustave Aimard

by Gustave Aimard

by Gustave Aimard

by Gustave Aimard

by Gustave Aimard

by Gustave Aimard

by Gustave Aimard