Lippincott's Magazine, December, 1885

audiobook

Lippincott's Magazine, December, 1885

by Various Authors

EN·~7 hours·16 chapters

Chapters

16 total
1

Note: The Table of Contents was added by the transcriber. Footnotes and Transcriber's notes will be found at the end of the text.

0:08
2

LIPPINCOTT'S MAGAZINE

0:01
3

DECEMBER, 1885

0:01
4

A TOBACCO PLANTATION.

38:10
5

SCENES OF CHARLOTTE BRONTÉ'S LIFE IN BRUSSELS.

27:18
6

COOKHAM DEAN.

37:13
7

BIRDS OF A TEXAN WINTER.

36:39
8

THE FERRYMAN'S FEE. - I.

53:51
9

"WHAT DO I WISH FOR YOU?"

0:37
10

LETTERS AND REMINISCENCES OF CHARLES READE.

41:21

Description

In this vivid portrait, a contemporary observer walks the fields of a sprawling Virginia tobacco plantation, sketching the rhythms of work and community that shape the lives of its African‑American laborers a decade after emancipation. The narrative blends careful description of the land—steep hills, fertile lowlands, and thick forests—with candid reflections on how former slaves navigate wages, property, and the lingering patterns of an old order. Readers hear the textures of daily toil, seasonal cycles, and the subtle ways the newly free seek both stability and modest advancement.

Beyond the crops, the plantation is presented as a self‑contained society, where families are bound by blood, marriage, and shared labor, and where age, rather than wealth, marks social distinction. The essay offers a window into the cultural habits, amusements, and modest ambitions that persist amid a landscape still shaped by its ante‑bellum past. Listeners will come away with a nuanced sense of a community caught between tradition and the slow, uncertain push toward change.

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Details

Language

en

Duration

~7 hours (409K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Juliet Sutherland, Kathryn Lybarger and the Online Distributed Proofreading Team.

Release date

2005-05-16

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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