L'Illustration, No. 3266, 30 Septembre 1905

audiobook

L'Illustration, No. 3266, 30 Septembre 1905

by Various Authors

FR·~1 hours·17 chapters

Chapters

17 total

NOS SUPPLÉMENTS GRATUITS

2:38

COURRIER DE PARIS - Journal d'une étrangère

8:36

LE NOUVEAU CANON ALLEMAND

7:25

LES GRANDES MANOEUVRES FRANÇAISES ET ALLEMANDES COMPARÉES

10:00

LE DIFFÉREND FRANCO-VÉNÉZUÉLIEN

0:08

LE GLISSEMENT DES QUAIS D'ANVERS

1:01

LE PATRIARCHE MARONITE A PARIS

1:34

LES ÉVÉNEMENTS DE BAKOU

2:29

CE QU'ON VOIT DANS LES RUES DE BAKOU

0:09

DANS L'AFRIQUE ALLEMANDE

3:05

Description

A vivid snapshot of Paris in early autumn, this edition weaves together high‑politics, culture and everyday marvels. Inside, detailed engravings and luxurious colour plates showcase the era’s artistic flair, while a lively roundup of new stage productions— from a grand Don Quixote comedy at the Comédie‑Française to fresh dramas by the Académie française—offers listeners a taste of the city’s theatrical heartbeat. The publication also hints at the delicate Franco‑German negotiations over Morocco, placing diplomats in a tense, behind‑the‑scenes dialogue that shaped international affairs.

Beyond the newsrooms, a foreigner’s journal paints Parisian streets alive with ceremony and invention. The famed Concours Lépine opens, turning boulevards into a showcase of clever gadgets that both amaze and bewilder, prompting a nostalgic reflection on childhood toys that once sang with life. These intertwined voices capture a moment when ambition, artistry and the simple joy of play converged on the capital’s bustling avenues.

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Details

Language

fr

Duration

~1 hours (77K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jeroen Hellingman and Rénald Lévesque

Release date

2011-04-25

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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