L'Illustration, No. 3232, 4 Février 1905

audiobook

L'Illustration, No. 3232, 4 Février 1905

by Various Authors

FR·~1 hours·13 chapters

Chapters

13 total

COURRIER DE PARIS - JOURNAL D'UNE ÉTRANGÈRE

10:07

LES FAITS DE LA SEMAINE - FRANCE

4:54

LA GUERRE RUSSO-JAPONAISE

1:26

M. ROUVIER AU BOIS

2:10

MAXIME GORKI

4:42

LE «PRIX GONCOURT» DES FEMMES

5:27

L'ENQUÊTE SUR L'INCIDENT DE HULL: LES TÉMOINS

2:43

ATTENTATS ANARCHISTES A PARIS

1:56

FEZ

9:03

Documents et Informations. - LE GUI.

12:28

Description

A foreign visitor slips into the hushed auditorium of the Académie des Sciences, where a crowd of scholars and dignitaries watches a modestly dressed speaker. The man at the podium is none other than Prince Albert I of Monaco, reading aloud the notes of a recent oceanic voyage. His voice, slightly hesitant and unpretentious, carries a genuine fascination for the sea rather than any pomp. Through her eyes we sense the delicate balance between royal formality and scientific curiosity that defines the early scene.

Outside the lecture hall the narrator drifts through a bustling Paris, where a temporary “Palais de la Femme” fills the Grand Palais with curiosities ranging from fashion to mechanical marvels. She reflects on how the city embraces both grand spectacle and modest intellectual pursuits, offering a refuge for small sovereigns who find respect without rivalry. The prose captures the mixture of elegance, humor, and cultural observation that animates her diary. Listeners are invited to follow her witty, observant journey through a Paris that feels both timeless and surprisingly intimate.

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Details

Language

fr

Duration

~1 hours (74K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jeroen Hellingman and Rénald Lévesque

Release date

2010-09-08

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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