
I—URSUS
II
III
IV
II LES COMPRACHICOS - I
PREMIÈRE PARTIE LA MER ET LA NUIT
LIVRE PREMIER LA NUIT MOINS NOIRE QUE L’HOMME - I LA POINTE SUD DE PORTLAND
LIVRE DEUXIÈME L’OURQUE EN MER - I LES LOIS QUI SONT HORS DE L’HOMME
LIVRE TROISIÈME L’ENFANT DANS L’OMBRE - I LE CHESS-HILL
DEUXIEME PARTIE PAR ORDRE DU ROI - LIVRE PREMIER ÉTERNELLE PRÉSENCE DU PASSÉ LES HOMMES REFLÈTENT L’HOMME - I LORD CLANCHARLIE
The story opens with a sweeping meditation on power and privilege, contrasting the grandiosity of England’s aristocracy with the ancient authority of French royalty. From this philosophical backdrop, the narrative drifts to a desolate coastline where the sea and night intertwine, setting a tone of isolation and restless curiosity. Readers are introduced to Ursus, a solitary figure whose bond with a tame wolf named Homo becomes a curious spectacle for townsfolk, hinting at themes of domestication, spectacle, and the human yearning for wonder.
As the storm gathers over the dark waters, the tale follows the uneasy lives of nobles, duchesses, and mysterious strangers who navigate a world of secret laws and shifting loyalties. Their interactions are filtered through the uneasy calm of the night, where questions about identity, fate, and the nature of authority surface. The early chapters promise a richly layered adventure that blends philosophical reflection with vivid, almost lyrical depictions of sea, darkness, and the fragile connections that bind people together.
Language
fr
Duration
~20 hours (1176K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Robert Rowe, Charles Franks and the Online Distributed Proofreading Team.
Release date
2004-04-01
Rights
Public domain in the USA.

1802–1885
One of the great voices of French Romanticism, this poet, novelist, and dramatist is best known around the world for Les Misérables and The Hunchback of Notre-Dame. His writing pairs vivid storytelling with a deep concern for justice, compassion, and the lives of people pushed to the margins.
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