
Note sur la transcription: Les erreurs clairement introduites par le typographe ont été corrigées. L'orthographe d'origine a été conservée et n'a pas été harmonisée. Les numéros des pages blanches n'ont pas été repris.
Delivered in the intimate setting of the 1903 Salon de la Libre Esthétique, this lecture invites listeners into a thoughtful conversation about the art of turning gardens, forests, and fleeting breezes into poetry. The speaker draws most of his examples from the late verses of a beloved French poet, whose images of Versailles‑type parks, snow‑kissed nymphs, and whispering trees illustrate how a landscape can acquire its own voice. With vivid descriptions of birches, oaks and dryads, the talk demonstrates how the subtle rustle of leaves becomes a lyrical line, offering a fresh way to hear nature’s hidden conversations.
Beyond illustration, the discourse delves into the challenges poets face when they try to bind personal feeling to the external world. It contrasts easy, sentimental verse with the more demanding task of letting emotion emerge through the very contours of the scene—whether an autumn canopy, a fountain’s spray, or a forest’s hush. Listeners are encouraged to contemplate the three intertwined modes suggested by the title, and to discover how the poet’s “Cité des eaux” reshapes familiar scenery into resonant, almost mystical, poetry.
Language
fr
Duration
~44 minutes (43K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Clarity, Hélène de Mink, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2014-08-25
Rights
Public domain in the USA.

1877–1939
A French novelist, essayist, and translator with a taste for travel and experiment, he brought unusual places and states of mind into early 20th-century literature. His life linked Parisian literary circles with long journeys in Europe, Africa, and China.
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