Les grotesques de la musique

audiobook

Les grotesques de la musique

by Hector Berlioz

FR·~6 hours·71 chapters

Chapters

71 total
1

LES GROTESQUES DE LA MUSIQUE

0:11
2

PROLOGUE ————— LETTRE DES CHORISTES DE L'OPÉRA

12:16
3

A MES BONS AMIS LES ARTISTES DES CHŒURS DE L'OPÉRA DE PARIS VILLE BARBARE

0:04
4

LES GROTESQUES DE LA MUSIQUE

3:32
5

Le droit de jouer en fa dans une symphonie en ré.

2:19
6

Un virtuose couronné.

0:29
7

Un nouvel instrument de musique.

1:42
8

Le régiment de colonels.

1:10
9

Une cantate.

1:40
10

Un Programme de musique grotesque.

5:07

Description

A witty exchange opens the book, with the Paris opera chorus penning a tongue‑in‑cheek protest to their exacting conductor. Their letter bursts with vivid scenes of late‑night rehearsals, cramped foyers, and the absurd demands of a maestro who prowls the piano like a trapped lion. Through their frank humor the reader catches the everyday tensions and grudging camaraderie that keep the chorus humming despite endless repetitions.

The author’s reply unfolds as a series of lively sketches and farcical anecdotes, each riffing on the quirks of musicians, the melodramatic world of opera, and the universal struggle between art and fatigue. These short tales blend sharp satire with affectionate observation, offering a colorful snapshot of 19th‑century backstage life that feels both historically grounded and timelessly relatable. Listeners will enjoy the playful rhythm of the prose, as the chorus’s grievances turn into a charming celebration of music’s messy humanity.

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Details

Language

fr

Duration

~6 hours (394K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)

Release date

2011-04-11

Rights

Public domain in the USA.

About the author

Hector Berlioz

Hector Berlioz

1803–1869

A fiery original of the Romantic era, this French composer reshaped the orchestra into a tool for vivid storytelling. Best known for Symphonie fantastique, he also built a second career as a conductor and influential music critic.

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