
audiobook
NOUVELLE BIBLIOTHÈQUE LITTÉRAIRE
JULES LEMAÎTRE DE L'ACADÉMIE FRANÇAISE - LES CONTEMPORAINS
EN GUISE DE PRÉFACE
LES CONTEMPORAINS - LOUIS VEUILLOT
LAMARTINE
DE L'INFLUENCE RÉCENTE DES LITTÉRATURES DU NORD
FIGURINES - VIRGILE
L'AUTEUR DE L' «IMITATION»
RACINE
MADAME DE SÉVIGNÉ
This volume gathers a series of concise yet insightful studies of the most influential French writers of the nineteenth century. The author, a respected member of the Académie française, moves from the romantic grandeur of Lamartine to the keen realism of Guy de Maupassant, and then to the witty ironies of Anatole France. Each portrait is framed by the broader literary currents of the time, including the growing impact of northern European literature on French taste. The essays are organized as a tidy, single‑volume collection that invites listeners to explore the cultural backdrop of each author’s work.
The opening preface reveals the critic’s own wrestling with the nature of literary judgment, contrasting personal impression with systematic analysis. He questions whether true criticism can ever be free of the reviewer’s voice, and he offers a candid look at his own methodological doubts. This reflective tone sets the stage for a thoughtful tour through the era’s major texts, offering listeners both historical context and a glimpse into the mind of a discerning literary scholar.
Full title
Les Contemporains, 6ème Série Études et Portraits Littéraires Études et Portraits Littéraires
Language
fr
Duration
~9 hours (527K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Mireille Harmelin, Christine P. Travers and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
Mar 9, 2009
Rights
Public domain in the USA.

1853–1914
Best known for lively, personal criticism rather than rigid theory, he brought warmth and wit to French literary life. He wrote criticism, stories, and plays, and later became a member of the Académie française.
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