
L’ÉCRIVAIN
CHAPITRE PREMIER CONSULTATION
CHAPITRE II LES DÉBUTS DE PAMPHILE
CHAPITRE III L’AMATEUR
CHAPITRE IV LA PROFESSION « SECONDE »
CHAPITRE V PREMIERS ESSAIS, PREMIERS ÉCHECS
CHAPITRE VI EXPÉRIENCES PERSONNELLES
CHAPITRE VII LE CONTE
CHAPITRE VIII DU JOURNALISME
CHAPITRE IX TYPES DE JOURNALISTES
In a Parisian salon, a seasoned observer is drawn into a lively debate with the mother of Pamphile, a twenty‑something son who declares his ambition to become a writer. Their exchange quickly reveals the social expectations that surround a young man from a respectable bourgeois family, and the subtle humor with which the narrator comments on the shifting fortunes of the literary world. The conversation sets the stage for a witty exploration of ambition, class, and the uneasy marriage of art and respectability.
The narrator, a keen chronicler of contemporary French society, uses Pamphile’s aspirations as a springboard to sketch the broader evolution of how the middle class has come to embrace painters, poets, and journalists—once relegated to cafés and marginal status. Through incisive anecdotes about the aftermath of the 1870 war and the rise of the café as a literary hub, the work illuminates the paradox of writers being both celebrated ornaments and financially precarious figures. Listeners will find a thoughtful portrait of an era where cultural capital is increasingly traded for social legitimacy.
Language
fr
Duration
~3 hours (179K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Paris: Hachette, 1925.
Credits
Laurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2023-11-29
Rights
Public domain in the USA.

1864–1941
A globe-trotting French writer and journalist, he turned firsthand experience in Madagascar, Africa, Asia, and the Pacific into adventure stories, essays, and reportage. His work is especially remembered for the recurring figure of Barnavaux and for its vivid picture of the French colonial world.
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