Le Double Jardin

audiobook

Le Double Jardin

by Maurice Maeterlinck

FR·~4 hours·18 chapters

Chapters

18 total
1

MAURICE MAETERLINCK

1:22
2

SUR LA MORT D’UN PETIT CHIEN

30:28
3

LE TEMPLE DU HASARD

15:52
4

EN AUTOMOBILE

14:11
5

ÉLOGE DE L’ÉPÉE

12:44
6

LA COLÈRE DES ABEILLES

10:47
7

LE SUFFRAGE UNIVERSEL

11:09
8

LE DRAME MODERNE

18:09
9

LES SOURCES DU PRINTEMPS

12:27
10

LA MORT ET LA COURONNE

11:34

Description

A quiet, reflective voice invites listeners into the tender mourning of a tiny bulldog named Pelléas, whose brief six‑month life becomes a doorway to larger questions about love, loss, and the way we make sense of the world. The narrator’s vivid description of Pelléas’s “large, thoughtful forehead” and his earnest, almost heroic innocence transforms a simple pet’s death into a meditation on the fleeting nature of consciousness. As memories of countryside walks and city streets intertwine, the story gently probes how even the smallest creature confronts the mysteries that humans spend a lifetime unraveling.

From the first moments of grief, the narrative expands into a lyrical exploration of the everyday—soil, grass, insects, and the fleeting chase of shadows—each observation a brushstroke in a larger portrait of existence. The prose balances poetic insight with a warm, personal tone, offering listeners a space to contemplate their own attachments while staying rooted in the intimate, everyday wonder of a dog’s short, bright life.

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Details

Language

fr

Duration

~4 hours (252K characters)

Publisher of text edition

Project Gutenberg

Credits

Laurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2021-11-24

Rights

Public domain in the USA.

Subjects

About the author

Maurice Maeterlinck

Maurice Maeterlinck

1862–1949

A quiet, dreamlike voice in European literature, this Belgian writer helped shape Symbolist drama and won the Nobel Prize in Literature in 1911. His plays and essays often turn simple images—silence, fate, light, bees, blue birds—into something haunting and memorable.

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