Le culte du moi 1: Sous l'oeil des barbares

audiobook

Le culte du moi 1: Sous l'oeil des barbares

by Maurice Barrès

FR·~3 hours·14 chapters

Chapters

14 total
1

LE CULTE DU MOI — I

0:01
2

SOUS L'OEIL DES BARBARES - par - MAURICE BARRES - DE L'ACADÉMIE FRANÇAISE

0:35
3

NOUVELLE ÉDITION - PARIS - 1911

0:02
4

EXAMEN DES TROIS ROMANS IDÉOLOGIQUES

33:34
5

SOUS L'OEIL DES BARBARES

7:31
6

LIVRE I - AVEC SES LIVRES - A Stanislas de Guaita.

0:03
7

CHAPITRE PREMIER

19:57
8

CHAPITRE DEUXIÈME

24:33
9

CHAPITRE TROISIÈME

28:47
10

LIVRE II - A PARIS - A Henry de Verneville.

0:02

Description

The work opens as a measured study of three recent novels, using them as a laboratory to trace how the self is cultivated from ancestral habits, social surroundings, and inner impulses. Its author adopts a botanical metaphor, asking readers to picture the mind as a leaf nourished by roots, soil, and air, and then extracts general principles from vivid personal anecdotes. The tone is both scholarly and intimate, offering a clear map for anyone curious about the forces that shape character without resorting to conventional psychology.

Divided into concise chapters—‘Departure,’ ‘Tenderness,’ ‘Disinterestedness,’ and later explorations of youthful Paris, dandyism, and ecstatic states—the book moves between literary analysis and personal reflection. A heartfelt dedication to a close friend frames the discussion, lending a conversational warmth to the otherwise analytical prose. Listeners will find a blend of careful observation and lyrical description that makes the exploration of the ‘culture of the self’ feel both accessible and compelling.

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Details

Language

fr

Duration

~3 hours (189K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Marc D'Hooghe From images generously made available by gallica (Bibliothèque nationale de France) at http://gallica.bnf.fr.

Release date

2005-10-07

Rights

Public domain in the USA.

About the author

Maurice Barrès

Maurice Barrès

1862–1923

A major voice in French literature at the turn of the 20th century, this novelist and essayist moved from intensely personal writing to politically charged books about nation, memory, and belonging. His work left a strong mark on both literature and public debate in France.

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