
Charles Dickens et Wilkie Collins
L'ABÎME - Roman anglais traduit avec l'autorisation de l'auteur par Madame Judith de la Comédie Française - Nouvelle édition Librairie Hachette et Cie. - 1918
Table des matières
OUVERTURE.
PREMIER ACTE.
Le rideau se lève.
La femme de charge entre.
La femme de charge parle.
Nouveaux personnages en scène.
Sortie de Wilding.
At the stroke of ten on a fog‑laden November night, the great bell of St. Paul reverberates through London’s winding streets, its mournful echo mingling with the distant chimes of smaller churches. In the shadow of the Hospice for Found Children, a veiled woman moves with purpose, her steps tracing a dark maze in the mud‑slicked cobbles. She watches a young caretaker named Sally emerge from a hidden door, their brief encounter charged with an unspoken urgency that hints at concealed motives and forgotten debts.
Both women are bound to the hospice’s fragile world, where kindness is a rare commodity and every exchange carries weight. As the veil lifts and questions linger—what does the mysterious benefactor truly seek, and why does Sally’s gentle spirit attract such intense scrutiny?—listeners are drawn into a tightly wound drama of secrets, compassion, and the thin line between duty and desire.
Language
fr
Duration
~5 hours (298K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by www.ebooksgratuits.com and Chuck Greif
Release date
2006-03-27
Rights
Public domain in the USA.

1812–1870
Famous for unforgettable characters, sharp humor, and a deep sympathy for ordinary people, this Victorian storyteller turned social criticism into some of the most widely loved novels in English. His books still feel lively and dramatic, whether he is writing about hardship, hope, or the strange comedy of everyday life.
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1824–1889
A master of suspense and sensation fiction, this Victorian storyteller helped shape the modern mystery novel with unforgettable twists and sharply observed characters. Best known for The Woman in White and The Moonstone, he wrote stories that still feel lively, eerie, and surprisingly modern.
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by Charles Dickens

by Charles Dickens

by Charles Dickens

by Charles Dickens

by Charles Dickens

by Wilkie Collins

by Charles Dickens

by Charles Dickens