
audiobook
LA FORÊT, OU L’ABBAYE DE SAINT-CLAIR,
LA
CHAPITRE PREMIER.
CHAPITRE II.
CHAPITRE III.
CHAPITRE IV.
CHAPITRE V.
CHAPITRE VI.
CHAPITRE VII.
CHAPITRE VIII.
Adeline and Pierre press on through the Alpine wilderness, their weary bodies driven by a mixture of curiosity and longing. As the mountains loom larger, Pierre’s exuberant reminiscences turn the rugged landscape into a tapestry of childhood memories, while Adeline’s awe is tinged with a growing sense of dread at the roaring torrents and sheer cliffs that line their path. The journey culminates in a twilight‑lit village perched at the foot of the peaks, its tranquil lake reflecting the last crimson hues of day and hinting at the peace Pierre hopes to reclaim.
The arrival sparks an emotional reunion: old friends grasp Pierre’s hand, strangers recognize familiar faces, and a sister long thought distant greets them with genuine warmth. Amid the gentle bustle, Adeline witnesses the inevitable passage of time, as once‑young companions now bear the marks of age while their children stride forward. The scene sets the stage for deeper discoveries within the village and the mysterious abbey that looms nearby, inviting listeners to follow the pair into the heart of a land where memory and mystery intertwine.
Full title
La forêt, ou l'abbaye de Saint-Clair (tome 3/3) traduit de l'anglais sur la seconde édition traduit de l'anglais sur la seconde édition
Language
fr
Duration
~4 hours (246K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laurent Vogel, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
Aug 22, 2018
Rights
Public domain in the USA.
Subjects

1764–1823
A key pioneer of the Gothic novel, she turned ruined castles, hidden secrets, and mounting suspense into some of the most influential fiction of her time. Best known for The Mysteries of Udolpho, she helped shape the eerie, romantic mood that later Gothic writers would build on.
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