La coucaratcha (II/III)

audiobook

La coucaratcha (II/III)

by Eugène Sue

FR·~3 hours·35 chapters

Chapters

35 total
1

LA COUCARATCHA Par EUGÈNE SUE. TOME DEUXIÈME.

2:17
2

MON AMI WOLF.

0:00
3

§ I. FRAGMENTS DU JOURNAL D'UN INCONNU.

6:57
4

§ II. LE RÉCIT.

11:31
5

§ III. SUITE DU RÉCIT.

8:43
6

§ IV. ÉPISODE.

4:47
7

§ V. MON AMI WOLF.

5:23
8

RELATION VÉRITABLE ET VOYAGES DE CLAUDE BELISSAN, Clerc de Procureur.

0:04
9

CHAPITRE PREMIER. Pourquoi Claude Belissan devint philosophe, philanthrope, matérialiste, athée, négrophile et républicain.

10:35
10

CHAPITRE II. Comment le royaume de France fut désormais privé de Claude Belissan.

5:32

Description

In a bustling Maltese port, a weary naval officer finds himself seated between two striking strangers at a dinner aboard an English ship. One is a stoic, grey‑haired veteran who speaks no French, the other a young, dashing Dane who has taken English citizenship with effortless charm. Their conversation, sparked by a shared drink, quickly turns from casual banter to a candid exchange of grievances about their commanders, their ranks, and the injustices they have endured.

As the night stretches on, the clinking of glasses and the flow of punch loosen tongues and forge an unexpected bond. The narrator’s inner conflict between old habits and new impulses mirrors the growing camaraderie, hinting at deeper loyalties and rivalries that will shape the days ahead. Listeners are drawn into a vivid tableau of naval life, humor, and the fragile trust that can blossom amid war‑torn seas.

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Details

Language

fr

Duration

~3 hours (220K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)

Release date

2012-03-01

Rights

Public domain in the USA.

About the author

Eugène Sue

Eugène Sue

1804–1857

A master of the 19th-century serial novel, he drew huge audiences with gripping stories that mixed suspense, crime, and sharp social observation. Best known for The Mysteries of Paris, he helped turn the newspaper feuilleton into a powerful form of popular fiction.

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