
Produced by Carlo Traverso, Claudio Paganelli and the
LA BARAONDA.
ROMANZI E RACCONTI.
TEATRO.
GEROLAMO ROVETTA
ROMANZO - MILANO
PROPRIETÀ LETTERARIA
PARTE PRIMA - CANTASIRENA. - I.
PARTE SECONDA - LA BARAONDA. - I.
A lively domestic tableau unfolds as Nora storms into a cramped sitting room, demanding breakfast while the other resident, Evelina, remains absorbed in her writing. The tension crackles over the delayed arrival of “la Gioconda,” a mysterious figure whose absence fuels Nora’s irritation, and even the household cat, Numa, seems to sense the rising storm. Through quick, witty dialogue and vivid description, the scene captures a clash between restless youth and the measured calm of a dedicated scribe.
As Nora’s frustration grows, she flirts with thoughts of escape, hinting at a yearning to break free from the confines of her current life. Her restless spirit is juxtaposed with the lingering presence of her modest boyfriend, Pietro, whose unremarkable appearance only sharpens her desire for something more. The opening sets the stage for a comedic yet poignant exploration of ambition, love, and the chaotic energy of a household on the brink of change.
Language
it
Duration
~12 hours (746K characters)
Publisher of text edition
Project Gutenberg
Release date
2009-05-13
Rights
Public domain in the USA.

1854–1910
A bestselling Italian novelist and playwright, he brought late 19th-century society to life with popular dramas and fiction that spoke to a wide audience. His work often mixed social observation with strong feeling, helping make him a familiar literary name in his day.
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