
Transcriber’s Note:
JOHN GALSWORTHY
CONTENTS
INTRODUCTION
THE PLAYS I
THE PLAYS II
THE NOVELS I
THE NOVELS II
THE SKETCHES
GALSWORTHY THE ARTIST
This thoughtful introduction offers a panoramic view of early‑twentieth‑century literature, using the career of a once‑prominent novelist to explore how writers both shape and reflect their age. The author examines the tension between the “mob‑public” of newly literate readers and the more discerning audience that seeks both emotional resonance and artistic rigor. By mapping these two spheres, the essay illuminates why certain authors achieve mass popularity while others, like the subject of the study, remain confined to a smaller, more specialized readership.
Through clear, engaging analysis, the writer delves into the paradox of a novelist who strives for balance and subtlety, often alienating readers who demand either overt instruction or pure escapism. The piece sets the stage for a deeper look at the author’s plays, novels, and sketches, inviting listeners to consider how literary ambition and public taste intersect in a rapidly changing cultural landscape.
Language
en
Duration
~1 hours (105K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by KD Weeks, ellinora and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2017-11-04
Rights
Public domain in the USA.

1887–1956
Best known for vivid novels of rural Sussex and Kent, this English writer brought the landscapes and people of the English countryside to life. Her breakthrough success, The End of the House of Alard, helped make her one of the notable regional novelists of the early 20th century.
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