Japanese Plays and Playfellows

audiobook

Japanese Plays and Playfellows

by Osman Edwards

EN·~8 hours·14 chapters

Chapters

14 total
1

TRANSCRIBER’S NOTE

0:28
2

PREFACE

3:01
3

LIST OF ILLUSTRATIONS

0:42
4

BEHIND THE SCENES

52:02
5

NOTE TO “BEHIND THE SCENES.” CASSANDRA JUSTIFIED?

11:50
6

RELIGIOUS PLAYS

35:11
7

POPULAR PLAYS - I

1:03:56
8

GEISHA AND CHERRY-BLOSSOM

30:43
9

VULGAR SONGS

33:41
10

TAKING THE WATERS - I

1:42:45

Description

The collection offers a lively window into Japan’s theatrical heritage, bringing together full translations of Noh dramas, Kabuki spectacles, and popular folk pieces that once filled the stages of Edo and Kyoto. The editor’s eye‑for detail is evident in the vivid introductions that place each work within its religious, social, or playful context, while brief personal reminiscences color the narrative with the impressions of a half‑year visitor to the islands. Accompanying the texts, twelve striking colored plates by contemporary Japanese artists illuminate costumes, set pieces, and the very spirit of the performances, letting listeners picture the lantern‑lit stages as if they were there.

Beyond the scripts, the book weaves thoughtful commentary on the cultural exchanges and misunderstandings that have shaped Western views of Japanese art. Listeners will hear stories of masked warriors, mischievous spirits, and graceful geisha, all delivered with a balance of scholarly insight and genuine admiration, making the world of Japanese theatre both accessible and enthralling.

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Details

Language

en

Duration

~8 hours (461K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by ellinora, John Campbell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2018-05-31

Rights

Public domain in the USA.

About the author

Osman Edwards

Osman Edwards

1864–1936

A lively critic, translator, and man of the theatre, he helped English readers discover European and Japanese drama at a time when both felt fresh and surprising. His writing blends scholarship, travel, and a real enthusiasm for the stage.

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