
JAN EN FLORENCE
JAN EN FLORENCE.
VREEMDELINGENHAAT.
DE GIOCONDA, FUTURISTEN EN VREEMDELINGEN.
SENTIMENTALISME TEGEN FUTURISME.
DE DROOMEN.
DE SPREEUWEN.
UN UOMO FINITO.
KORTE NOTITIES.
LENTESTEMMING.
The narrator, a well‑travelled Dutch observer, opens by recalling the brilliance of Spain’s cities, the Prado’s galleries and Goya’s canvases—all seen in the restless spring of his journey. Back in Florence during a crisp December, he muses on how quickly life slips away, even as he jokingly claims to “own” the treasures of the Vatican and the Uffizi, feeling both pride and a lingering, harmless envy for the art he cannot truly possess.
His reflections are interrupted by Jan, a steady‑minded Dutch friend who drifts in and out of his days like a familiar street‑corner encounter. Jan’s blunt, pragmatic humor pushes the narrator to temper his lofty prose, urging him to write more lightly and to share the everyday moments that stitch together his wanderings. Their unlikely companionship provides a grounding counterpoint to the narrator’s grandiose reveries, promising a series of witty, observational sketches that linger between travel, art, and friendship.
Language
nl
Duration
~2 hours (144K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Anna Tuinman, Eline Visser and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
Dec 10, 2008
Rights
Public domain in the USA.

1863–1923
A leading voice in Dutch literature, he wrote elegant novels and stories filled with psychological insight, shifting social worlds, and a strong sense of fate. His work ranges from intimate family drama to historical fiction and travel writing, and it still feels rich and distinctive today.
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