Ismael; an oriental tale. With other poems

audiobook

Ismael; an oriental tale. With other poems

by Baron Edward Bulwer Lytton Lytton

EN·~2 hours·55 chapters

Chapters

55 total

ISMAEL; AN ORIENTAL TALE. WITH Other Poems.

0:20

PREFACE.

4:08

ADVERTISEMENT BY THE AUTHOR.

2:42

ERRATA.

0:15

ADDRESS TO WALTER SCOTT, ESQ.

1:35

ISMAEL;

0:18

ISMAEL. - CANTO I. - I.

1:52

II.

2:23

III.

1:41

IV.

4:20

Description

A strikingly fresh voice emerges from these verses, penned when the poet was barely in his teens. The collection moves from tender reflections on everyday moments to more ambitious, classically inspired pieces, all rendered in an easy, flowing style that avoids the over‑ornamentation common in later poetry. Even the lighter lyrics, such as those addressed to a lady friend, reveal an instinctive grasp of rhythm and imagery that feels both sincere and surprisingly mature.

Interspersed among the original works are skillful translations of Horace and the opening chorus of an ancient tragedy, showcasing the young writer’s early engagement with the classics. Throughout, the poems convey a genuine sensibility, a vivid imagination, and a confidence that hints at future growth. Listeners will find themselves drawn into the earnest enthusiasm of a budding poet whose early efforts already sparkle with promise.

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Details

Language

en

Duration

~2 hours (169K characters)

Publisher of text edition

Project Gutenberg

Credits

Charlene Taylor, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2021-05-16

Rights

Public domain in the USA.

About the author

Baron Edward Bulwer Lytton Lytton

Baron Edward Bulwer Lytton Lytton

1803–1873

Best remembered for wildly popular Victorian novels and a gift for unforgettable phrases, this English writer moved easily between literary fame and public life. He wrote historical romances, occult tales, social novels, and plays, leaving behind a body of work that was huge even by 19th-century standards.

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