
I’D LIKE TO DO IT AGAIN
────────────────CONTENTS────────────────
────────────────LIST OF ILLUSTRATIONS────────────────
────────────────CHAPTER I ◆ FALSE STARTS────────────────
────────────────CHAPTER II ◆ SELLING THE FIRST ONE────────────────
────────────────CHAPTER III ◆ THEN AND NOW────────────────
────────────────CHAPTER IV ◆ “HOLD, VILLAIN”────────────────
────────────────CHAPTER V ◆ UP FROM MELODRAMA────────────────
────────────────CHAPTER VI ◆ HOW TO WRITE THREE HUNDRED PLAYS────────────────
────────────────CHAPTER VII ◆ THE DRAMATIST’S PROFESSION────────────────
A candid memoir opens with a bittersweet discovery: a tattered, nine‑year‑old manuscript titled Diamond Cut Diamond tucked away among a mother’s treasured belongings. The author recounts the shock of reading his childhood attempt at drama—complete with a lone survivor who ends the act with suicide—while reflecting on his mother’s wry smile and the fierce ambition that shaped her eight children.
From the quiet streets of Bangor, Maine, he traces a path that led a shy, fast‑running Harvard freshman into the intoxicating world of the stage. He paints vivid pictures of early theatrical icons, the pull of the footlights, and the tension between a practical New England upbringing and an irrepressible desire to “draw pictures on the wall” of life. Listeners will be drawn into his honest, often humorous, exploration of the forces that forged a prolific playwright, discovering how a single childhood script sparked a lifelong devotion to drama.
Language
en
Duration
~4 hours (252K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-09-24
Rights
Public domain in the USA.

1874–1956
A hugely productive American playwright, he helped shape popular theater in the early 20th century and won the Pulitzer Prize for Icebound. His career stretched from melodrama and comedy into radio and film, making him one of the busiest writers of his era.
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