
I PARALIPOMENI DEL LUCIFERO DI MARIO RAPISARDI
AI LETTORI.
CANTO PRIMO.
Presented as the first canto of a larger, unfinished poem, this work plunges listeners into a bold re‑imagining of the classic figure of Lucifer. The poet frames the fallen angel’s triumph as a celestial festival, describing massive marble arches, triumphant hymns, and a universe bathed in an unfamiliar light. The opening is a lively mix of lofty epic diction and a tongue‑in‑cheek celebration that both honors and gently mocks traditional religious epics.
The surrounding notes reveal a publisher’s skeptical yet curious tone, questioning whether the piece is sincere poetry or a clever parody. As the verses unfold, listeners hear vivid images of demons dancing, the rustle of ancient trees, and a jubilant chorus that blurs the line between reverence and ridicule. The fragment invites you to savor its rich language while wondering what the rest of the poem might have held.
Language
it
Duration
~18 minutes (17K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by garweyne, Barbara Magni and the Distributed Proofreading team at DP-test Italia, http://dp-test.dm.unipi.it (This file was produced from images generously made available by The Internet Archive)
Release date
Sep 14, 2015
Rights
Public domain in the USA.
Subjects

1839–1915
A key voice in Italian verismo, this Sicilian writer helped bring everyday life, regional culture, and psychological tension into modern fiction. He wrote novels, short stories, criticism, and folktale collections that influenced later Italian literature.
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