
audiobook
by H. H. (Heinrich Hubert) Houben
Hier Zensur – wer dort?
Vorwort.
Inhalt.
1. Friedrichs des Großen königliche Freiheit.
2. Kaiser Josephs II. Zensurreform.
3. Des gottseligen Herrn Ministers von Wöllner Blumen-, Frucht- und Dornenstücke.
4. An der Wiege des Theaterzensors.
5. Die Furcht vor der Revolution.
6. Der Kampf gegen die Klassiker.
7. Kleine Kulissengeheimnisse der Theaterzensur.
A lively and incisive look at the age‑old clash between literature and authority, this work traces the evolution of German censorship from its ecclesiastical roots in the late fifteenth century to the more secular struggles of the eighteenth and nineteenth centuries. With a tone that oscillates between scholarly insight and sharp satire, the author sketches the courtroom of the censor as a stage where princes, priests, playwrights and poets tumble into absurd confrontations.
The book is organized as a series of vivid vignettes—Friedrich II’s “royal freedom,” Joseph II’s reform attempts, the theatre bans of the Wöllner era, and the Napoleonic scramble for control—each illustrated with miniature portraits and witty anecdotes. These episodes reveal the tangled mix of politics, morality, and personal ambition that fueled the censor’s pen, while also exposing the bureaucratic quirks and theatrical farces that accompanied every decree.
Beyond its historical catalog, the narrative invites listeners to reflect on how yesterday’s battles over the printed word echo in today’s debates on free expression. By pairing past lessons with present‑day questions, it offers a thoughtful, entertaining guide to the perennial fight between light and darkness in the cultural sphere.
Language
de
Duration
~7 hours (432K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by The Online Distributed Proofreading Team at https://www.pgdp.net
Release date
Nov 13, 2020
Rights
Public domain in the USA.
1875–1935
A sharp-eyed German literary historian and publicist, he devoted much of his work to nineteenth-century literature, especially Young Germany, Biedermeier culture, and Goethe. His writing combines scholarship with a lively interest in how books, theater, and censorship shaped public life.
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