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CARBO: HIS STORY. A ROLL OF HONOR. THE CHILD AND THE BIRD. PIANO-PLAYING IN THE TIME OF MOZART AND BEETHOVEN. THE CRUISE OF THE CANOE CLUB. SOME HINTS ON DOG TEACHING. BESSY'S FAIRY GODMOTHER. THE CITY OF THE CALIPHS. OUR POST-OFFICE BOX.
CARBO: HIS STORY. - BY SHERWOOD RYSE.
A ROLL OF HONOR. - BY G. T. LANIGAN.
THE CHILD AND THE BIRD. - BY MARGARET SANGSTER.
PIANO-PLAYING IN THE TIME OF MOZART AND BEETHOVEN. - BY MRS. JOHN LILLIE.
SOME HINTS ON DOG TEACHING. - BY EDWARD I. STEVENSON.
BESSY'S FAIRY GODMOTHER. - BY JULIA K. HILDRETH.
THE CITY OF THE CALIPHS. - BY LIEUTENANT E. W. STURDY, U.S.N.
OUR POST-OFFICE BOX.
NAN. - By MRS. JOHN LILLIE,
At a lonely western rail junction, a weary traveler seeks refuge from the chill in a dim depot and soon finds himself drawn to a curious sight: a small monkey perched on a locomotive’s cab window. The engineer, amused and unruffled, invites the stranger inside, sharing the odd habit of keeping the little creature—named Carbo—as a companion on countless short hauls. Their brief conversation reveals how Carbo, a former coal‑yard helper, has become an unlikely mascot for the line’s daily grind.
The tale unfolds with witty observations about the shrewd businessman who once set a high pole in his yard, attaching the mischievous monkey as a lure for passing engineers to toss coal his way. Through the narrator’s eyes, the reader catches glimpses of a clever, if slightly cruel, scheme that turned the animal into a living “coal‑collector.” Hints of a recent fire that razed the family’s home add a touch of mystery, promising more quirky anecdotes and the peculiar loyalties that bind men, machines, and a cheeky primate together.
Full title
Harper's Young People, October 24, 1882 An Illustrated Weekly An Illustrated Weekly
Language
en
Duration
~1 hours (95K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Annie R. McGuire
Release date
2019-06-02
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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