
AN ARCHAEOLOGICAL VALENTINE.THE SEA-URCHIN.ODDITIES IN BICYCLES.THE SPORTSMAN'S CODE.PLASTER-OF-PARIS FISH.THE MIDDLE DAUGHTER.FOR KING OR COUNTRY.THE CHANGED VALENTINE.AN IRISHMAN'S PATIENCE.FROM CHUM TO CHUM.INTERSCHOLASTIC SPORT.STAMPS.BICYCLING.THE CAMERA CLUB.THE PUDDING STICK.AN OBLIGING TRAVELLER.
AN ARCHAEOLOGICAL VALENTINE. - BY RICHARD BARRY.
THE SEA-URCHIN.
ODDITIES IN BICYCLES.
THE SPORTSMAN'S CODE.
PLASTER-OF-PARIS FISH. - BY BARNET PHILLIPS.
THE MIDDLE DAUGHTER. - BY MARGARET E. SANGSTER. - CHAPTER VI. - THE TOWER-ROOM.
THE END.
FOR KING OR COUNTRY. - A Story of the Revolution. - BY JAMES BARNES. - CHAPTER XVII. - A COUNTERPLOT.
\[to be continued.\]
In a bright, oddly furnished study perched above a bustling New‑York street, an eccentric professor with a self‑funded chair in Sanskrit and archaeology prepares a spare room for an unexpected experiment. His office, half brick and half timber, is filled with towering shelves, a humor‑laden French china figure, and a meticulous house‑keeper who knows every object’s exact spot. When the professor invites his teenage nephews to stay, the stage is set for a weekend of adolescent curiosity and the professor’s oddly scientific sleuthing.
The boys, Bill and his younger brother, arrive on a muddy February day, only to discover a tiny, over‑heated stove and a house full of quirks that seem to whisper hints of hidden stories. As they navigate the professor’s baffling habits and the house’s eccentric atmosphere, a simple family visit turns into a playful investigation of tradition, invention, and the lingering ghosts of a bygone era. Listeners are drawn into a charmingly odd Victorian world where humor and mystery share the same study table.
Language
en
Duration
~2 hours (153K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Annie R. McGuire
Release date
2016-10-11
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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