
audiobook
HARPER'S NEW MONTHLY MAGAZINE.
No. IX.—FEBRUARY, 1851.—Vol. II.
THE TRAVELER; OR, A PROSPECT OF SOCIETY. - BY OLIVER GOLDSMITH.
[From Mayhew's Comic Almanac.] AN INVITATION TO THE ZOOLOGICAL GARDENS. - (BY A GENTLEMAN WITH A SLIGHT IMPEDIMENT IN HIS SPEECH.) TO BE READ ALOUD.
DEATH OF HOWARD THE PHILANTHROPIST.
A SKETCH OF MY CHILDHOOD. - BY THE "ENGLISH OPIUM-EATER."
[From Bentley's Miscellany.] THE HISTORY AND MYSTERY OF THE GLASS-HOUSE.
AN EXCELLENT MATCH; OR, THE BLESSINGS OF BAD LUCK.
ANECDOTES OF WORDSWORTH.
MODERN MUMMIES.—A VISIT TO THE TOMBS OF BORDEAUX.
A wandering poet sketches the world from Alpine heights to sun‑kissed plains, turning each landscape into a mirror for the soul. The verses drift from bustling towns and glittering harbors to humble farms, weaving vivid descriptions with a quiet, reflective voice that asks what truly comforts a restless heart.
Through a blend of travelogue and gentle philosophy, the piece examines how wealth, honor, liberty and simple labor shape the lives of strangers we meet along the way. It ponders the universal search for a “happiest spot,” contrasting the boastful patriot’s pride with the quiet contentment found in shared meals and open‑handed hospitality. The rhythm and rhyme invite listeners to linger on each image, feeling both the awe of distant horizons and the intimate warmth of human kindness.
Rooted in a mid‑nineteenth‑century perspective, the poem feels timeless, urging anyone who’s ever roamed—or imagined roaming—to consider how the world’s varied blessings might converge in a single, shared humanity.
Language
en
Duration
~14 hours (806K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Judith Wirawan, David Kline, and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2013-01-03
Rights
Public domain in the USA.
This book is credited to multiple contributors rather than a single writer, bringing together different voices, styles, or perspectives in one place. That often makes for a lively listening experience, especially in anthologies, collections, and themed compilations.
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