Graphic illustrations of abortion and the diseases of menstruation Consisting of Twelve Plates from Drawings Engraved on Stone, and Coloured by Mr. J. Perry, and Two Copper-plates from the Philosophical Transactions, Coloured by the Same Artist. the Whole Representing Forty-five Specimens of Aborted Ova and Adventitious Productions of the Uterus, With Preliminary Observations, Explanations of the Figures and Remarks, Anatomical and Physiological.

This nineteenth‑century medical work offers a meticulous visual survey of reproductive anatomy, pairing hand‑engraved plates with vivid colour washes. The images capture a range of specimens—from early miscarriages to unusual uterine growths—providing a rare, graphic glimpse into the scientific observations of the era. Accompanying notes explain each illustration, grounding the artwork in contemporary anatomical terminology.

The text proceeds methodically, beginning with normal animal reproduction before turning to “imperfect” cases such as spontaneous abortion and various menstrual disorders. Detailed sections walk the listener through the stages of ovulation, fertilisation, embryonic development, and placental formation, each supported by the author’s commentary on the corresponding plates. The language reflects the rigorous, observational style of Victorian physicians, offering both descriptive anatomy and physiological speculation.

For anyone curious about the history of obstetrics, this volume serves as a window into early medical research on fertility and uterine health. Its blend of scientific detail and striking visuals makes it an engaging listen for students of medical history, art, and the evolution of women’s health knowledge.