Granny Maumee; The rider of dreams; Simon the Cyrenian : Plays for a negro theater

In a modest cabin lit by a smoldering hearth, the audience meets Granny Maumee, a blind, battle‑scarred matriarch whose white hair and burnt face speak of a long, hard life. Her nineteen‑year‑old granddaughter Pearl moves briskly, arranging flowers and preparing a makeshift bedding for a newborn child whose arrival looms over the household. The dialogue, rendered in a rich, vernacular rhythm, immediately establishes a tight family knot strained by poverty, loss, and lingering hope.

As the night deepens, Granny recounts the story of her own lost love, Sam, and the fire that stole her sight, while Pearl worries about the new husband who will join their cramped world. Their exchange weaves themes of resilience, generational memory, and the yearning for a brighter future that still feels just out of reach. The play’s opening act invites listeners into an intimate, emotionally charged portrait of a community striving to keep dreams alive amid hardship.