
CONTENTS OF VOLUME 6.
Produced by David Widger
CHAPTER XXVII - OF FRIENDSHIP
CHAPTER XXVIII. - NINE AND TWENTY SONNETS OF ESTIENNE DE LA BOITIE - TO MADAME DE GRAMMONT, COMTESSE DE GUISSEN.
CHAPTER XXIX. - OF MODERATION
CHAPTER XXX - OF CANNIBALS
CHAPTER XXXI - THAT A MAN IS SOBERLY TO JUDGE OF THE DIVINE ORDINANCES
CHAPTER XXXII - THAT WE ARE TO AVOID PLEASURES, EVEN AT THE EXPENSE OF LIFE
CHAPTER XXXIII - THAT FORTUNE IS OFTENTIMES OBSERVED TO ACT BY THE RULE OF REASON
CHAPTER XXXIV - OF ONE DEFECT IN OUR GOVERNMENT
This volume gathers a lively selection of Michel de Montaigne’s classic essays, rendered into smooth, modern English by Charles Cotton and polished by a nineteenth‑century editor. The pages move from the warmth of “Of Friendship,” where Montaigne compares true companionship to a painter’s careful composition, to the stark curiosity of “Of Cannibals,” a meditation on cultural difference that still feels fresh. Interspersed are Estienne de la Boétie’s twenty‑nine sonnets and the essayist’s own brief reflections on moderation, government, and the simple pleasures of solitude.
Listeners will discover Montaigne’s conversational tone, as he weaves personal anecdotes with philosophical inquiry, inviting you to linger over his thoughts on the nature of liberty, the hazards of excess, and the quiet power of solitary reflection. The collection feels like a series of intimate conversations, each essay a stand‑alone piece that nevertheless contributes to a broader portrait of a mind perpetually probing the human condition. It’s an engaging entry point for anyone eager to hear the timeless voice of one of the West’s most probing thinkers.
Language
en
Duration
~2 hours (160K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-11-01
Rights
Public domain in the USA.

1533–1592
Best known for turning self-examination into an art, this French Renaissance writer helped invent the modern essay. His pages wander through friendship, fear, education, politics, and everyday habits with a voice that still feels startlingly personal.
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