
Essays Irish and American
AN APPRECIATION
RECOLLECTIONS OF SAMUEL BUTLER
BACK TO THE HOME
WHY THE ENGLISHMAN IS HAPPY
SYNGE AND THE IRISH.
THE MODERN WOMAN
WATTS AND THE METHOD OF ART.
A modest yet lively collection of essays offers a glimpse into the mind of an artist who moved between Dublin and New York at the turn of the twentieth century. Through clear, conversational prose, the writer shares his love of ordinary people, arguing that true beauty lies in the natural, unpretended aspects of their faces and thoughts. His reflections weave together personal anecdotes, observations of portrait sessions, and a gentle critique of the cultural pressures that shape both Irish and American lives.
The essays drift from musings on the quiet dignity of a well‑drawn portrait to playful ruminations on Lao‑tzu’s “be natural” philosophy, all tinged with a mischievous humor that celebrates simple pleasures like a kitten chasing its tail. Readers will find a blend of earnest insight and light‑hearted folly, presented in a style that feels as intimate as a conversation over tea. The book invites listeners to pause, consider the everyday, and perhaps see the world with a kinder, more appreciative eye.
Language
en
Duration
~2 hours (119K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Susan Carr, Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Aug 16, 2020
Rights
Public domain in the USA.

1839–1922
An Irish portrait painter and lively letter writer, he helped shape the artistic world around one of Ireland’s most remarkable creative families. His life joined painting, criticism, and conversation in a way that still feels vivid today.
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