Essays in criticism : $b First and second series complete

audiobook

Essays in criticism : $b First and second series complete

by Matthew Arnold

EN·~16 hours·19 chapters

Chapters

19 total
1

Transcriber’s Note:

1:49
2

PREFACE. (1865,)

11:20
3

I. THE FUNCTION OF CRITICISM AT THE PRESENTTIME.

2:04:56
4

III. MAURICE DE GUÉRIN.

1:03:43
5

IV. EUGÉNIE DE GUÉRIN.

55:16
6

V. HEINRICH HEINE.

59:08
7

VI. PAGAN AND MEDIÆVAL RELIGIOUS SENTIMENT.

1:51:26
8

VIII. JOUBERT.

1:06:32
9

IX. SPINOZA AND THE BIBLE.

59:30
10

X. MARCUS AURELIUS.

57:12

Description

In this expansive compilation, the author gathers nineteen essays that explore the nature of criticism, literary translation, and the role of the reviewer. Written in the mid‑nineteenth century, the pieces move between reflections on Homeric translation, the responsibilities of scholars, and the tension between aesthetic judgment and social convention. The preface sets a measured tone, emphasizing open inquiry over dogmatic argument and inviting readers to consider multiple perspectives.

Among the most engaging essays is a spirited defense of the translator’s creative liberty, where the writer argues that fidelity to the original need not suppress a fresh, vibrant voice. Other contributions probe the influence of cultural institutions on taste, questioning whether the public’s preferences are shaped by genuine appreciation or by the prevailing power structures of the day. Together, the collection offers a thoughtful, sometimes provocative, conversation that still resonates with anyone interested in how we interpret and value art.

Details

Language

en

Duration

~16 hours (938K characters)

Release date

2025-11-16

Rights

Public domain in the USA.

About the author

Matthew Arnold

Matthew Arnold

1822–1888

A major Victorian poet and critic, he wrote with unusual clarity about culture, education, faith, and the uneasy mood of modern life. Best known for poems such as Dover Beach and for influential prose like Culture and Anarchy, he remains one of the most recognizable literary voices of 19th-century England.

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