
GEORGE DU MAURIER
ENGLISH SOCIETY
The narrator begins with a quietly humorous meditation on memory and mortality, recalling the sudden, almost absurd speed at which fame can turn a writer’s work into a cultural fixture. A personal letter to George du Maurier about his half‑finished novel opens a conversation that feels both intimate and scholarly, offering listeners a glimpse into the writer’s own doubts and admiration. The essay weaves together anecdotes, literary allusions, and a gentle critique of du Maurier’s surprising late‑career triumphs, inviting you to consider how a single voice can capture an entire era’s imagination.
In the following sections the piece examines the craft behind du Maurier’s most celebrated stories, exploring his blend of confidence, wit, and subtle illusion. It asks why certain narratives linger in the public mind while others fade, and how sentimentality can both enchant and perplex readers. The result is a thoughtful, engaging portrait of a writer whose work continues to echo through English society.
Language
en
Duration
~33 minutes (31K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Judith Wirawan, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Nov 23, 2011
Rights
Public domain in the USA.

1834–1896
A sharp-eyed observer of Victorian life, he became famous for his witty drawings in Punch before turning late in life to fiction. His novel Trilby introduced the unforgettable Svengali and became one of the great publishing sensations of the 1890s.
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