Els idols : Quadre en un acte y en prosa

In a richly furnished Buenos Aires salon, the matriarch Donya María presides over a world of modest elegance and lingering tradition. At fifty‑seven she moves with a dignified poise, her silk blouse and black skirt hinting at a life carefully curated, while her daughter Joana—still in her twenties—carries the restless energy of a young woman caught between duty and desire. Their servant Pilar, quietly efficient, weaves through the scene, adding a subtle undercurrent of class and routine.

The opening act centers on a tense morning ritual: a farewell to a departing husband, an unexpected emotional outburst from Joana, and the fragile attempts of the family to restore calm. As Donya María offers tea and a gentle touch, the audience is drawn into the delicate dynamics of love, expectation, and hidden anxieties that shape this intimate bourgeois household. The dialogue, brimming with Catalan nuance, sets the stage for a compelling exploration of generational bonds and the quiet struggles that unfold behind polished doors.