Dulcibel: A Tale of Old Salem

audiobook

Dulcibel: A Tale of Old Salem

by Henry Peterson

EN·~7 hours·114 chapters

Chapters

114 total
1

[](https://www.gutenberg.org/images/cover01.jpg)

0:03
2

DULCIBEL - A Tale of Old Salem - BY - HENRY PETERSON - Author of - "Pemberton, or One Hundred Years Ago"

0:06
3

Illustrations by - HOWARD PYLE - PHILADELPHIA - The John C. Winston Co. - Copyright 1907 - BY - Walter Peterson.

2:52
4

Illustrations

0:01
5

CHAPTER I. - Dulcibel Burton.

11:54
6

CHAPTER II.

0:00
7

In Which Some Necessary Information is Given.

5:23
8

CHAPTER III.

0:00
9

The Circle in the Minister's House.

6:05
10

CHAPTER IV.

0:00

Description

In the crisp autumn of a fledgling New England settlement, a newly cut road leads into the modest village that will one day be known as Salem. The landscape is still raw from its first winters, and the air hums with the hard‑won optimism of families carving lives from dense forest and tidal shores. Amid this backdrop, Dulcibel Burton arrives, a quiet presence whose thoughtful gaze takes in the modest meeting‑house, the ragged farms, and the uneasy rhythm of daily survival.

Tensions already crack the community’s veneer of piety, especially around Reverend Samuel Parris, whose claim to a gifted parcel of land for the parsonage has sparked sharp debate. Whispered doubts and uneasy glances hint at deeper anxmas, as rumors of witchcraft begin to stir the shadows of the meeting‑house. Dulcibel finds herself drawn into these early disputes, feeling the pull between steadfast faith and the unsettling notion that something darker may be at work in the very heart of the village.

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Details

Language

en

Duration

~7 hours (434K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Marcia, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2007-02-11

Rights

Public domain in the USA.

About the author

Henry Peterson

Henry Peterson

1818–1891

A busy figure in 19th-century American letters, he moved easily between journalism, poetry, fiction, and the stage. He is especially remembered for his long connection to The Saturday Evening Post and for bringing a strong moral voice to his writing.

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