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The narrative opens with a protagonist emerging from a prolonged, feverish delirium, only to find himself thrust into a tangled web of murder, theft, and suspicion. A valuable document has vanished, a prized diamond cross and a purse of gold lie missing, and the dead body of Isora raises questions that the local justice system cannot answer. As the narrator pieces together fragmented testimonies—Gerald’s alibi, Montreuil’s bold return, and Desmarais’s wounded account—he wrestles with the unsettling possibility that the crime was not a simple burglary but a meticulously plotted scheme.
Against a backdrop of creaking manor doors and secretive corridors, the story balances sharp observation with lingering doubts. The narrator’s own credibility wavers, and every clue—an unlocked escritoire, a key hidden in his own pocket, a masked figure on the stairs—pulls the listener deeper into a maze where motives are as shadowed as the suspects. The first act sets a compelling stage for a psychological mystery that hinges on trust, betrayal, and the thin line between sanity and obsession.
Language
en
Duration
~3 hours (185K characters)
Publisher of text edition
Project Gutenberg
Release date
Mar 1, 2005
Rights
Public domain in the USA.

1803–1873
A celebrated Victorian novelist, poet, playwright, and politician, he filled his works with romance, intrigue, historical drama, and grand ideas. His best-known novels include The Last Days of Pompeii, Rienzi, Pelham, and Eugene Aram.
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