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CRITICAL AND HISTORICAL ESSAYS - Lectures delivered at Columbia University BY EDWARD MACDOWELL - EDITED BY W.J. BALTZELL - London ELKIN & CO., Ltd., 8 & 10 Beak Street, Regent Street, W. - CONSTABLE & CO., Ltd., 10 Orange Street, Leicester Square, W.C. - Boston, U.S.A., ARTHUR P. SCHMIDT - Copyright, 1912, by ARTHUR P. SCHMIDT A.P.S. 9384 - Stanhope Press F.H. GILSON COMPANY BOSTON, U.S.A. - PREFACE
CRITICAL AND HISTORICAL ESSAYS - I THE ORIGIN OF MUSIC
II ORIGIN OF SONG vs. ORIGIN OF INSTRUMENTAL MUSIC
III THE MUSIC OF THE HEBREWS AND THE HINDUS
IV THE MUSIC OF THE EGYPTIANS, ASSYRIANS, AND CHINESE
V THE MUSIC OF THE CHINESE (Continued)
VI THE MUSIC OF GREECE
LIST OF NOTES IN THE GREEK SCALE
VII THE MUSIC OF THE ROMANS—THE EARLY CHURCH
VIII FORMATION OF THE SCALE—NOTATION
These lectures reveal a different side of a celebrated American composer, offering listeners a window into his role as a scholar and educator. Delivered at Columbia University at the turn of the twentieth century, the talks blend rigorous technical insight with a poet’s sensibility, guiding students through the evolution of musical forms, the art of orchestration, and the intimate world of piano literature.
MacDowell’s unique perspective—rooted in the creative process of composition—allows him to trace music’s development from its prehistoric origins to modern impressionism, always emphasizing the connection between sound and broader cultural currents. His engaging style invites listeners to think independently, encouraging a fresh, informed appreciation of music that transcends tradition. Whether you’re a budding musician, a curious listener, or a lover of cultural history, these essays illuminate the timeless dialogue between art, intellect, and imagination.
Full title
Critical and Historical Essays Lectures delivered at Columbia University Lectures delivered at Columbia University
Language
en
Duration
~6 hours (394K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Newman, Daniel Emerson Griffith and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
2005-07-24
Rights
Public domain in the USA.
Subjects

1860–1908
A leading American composer of the late Romantic era, he helped bring serious concert music from the United States onto the international stage. He is still especially loved for lyrical piano works like Woodland Sketches and for his richly expressive concert music.
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