Comedies of Courtship

audiobook

Comedies of Courtship

by Anthony Hope

EN·~5 hours·30 chapters

Chapters

30 total
1

COMEDIES OF COURTSHIP - By Anthony Hope - 1894

0:56
2

THE WHEEL OF LOVE

0:01
3

CHAPTER I. — THE VIRTUOUS HYPOCRITES

11:19
4

CHAPTER II. — SYMPATHY IN SORROW

11:10
5

CHAPTER III. — A PROVIDENTIAL DISCLOSURE

12:56
6

CHAPTER IV. — THE TALE OF A POSTMARK

10:23
7

CHAPTER V. — A SECOND EDITION

10:40
8

CHAPTER VI. — A MAN WITH A THEORY

10:37
9

CHAPTER VII. — THE SIGHTS OF AVIGNON

12:59
10

CHAPTER VIII. — MR. AND MRS. ASHFORTH (1)

9:16

Description

A charming assortment of late‑Victorian sketches, this volume turns the rituals of romance into a series of gentle jokes and sharp observations. The stories move through drawing‑rooms, country estates and bustling towns, always listening for the small absurdities that surface when love meets pride, propriety and the occasional mis‑delivered note. With a light, witty narrator, the collection captures the era’s manners while reminding listeners that the heart’s quirks are timeless.

The opening tale follows a wealthy young couple, John and Mary, whose engagement seems as smooth as the polished parquet of their country house. Beneath their courteous smiles they exchange secret letters, each convinced the other is oblivious, while a bemused housekeeper watches the game unfold. Their flirtations spiral into a series of comic mishaps—cigars, misplaced letters and a wayward terrier—revealing how even the most privileged can stumble over the simplest acts of affection. The story sets a playful tone that invites listeners to smile at the universal dance of courtship.

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Details

Language

en

Duration

~5 hours (335K characters)

Publisher of text edition

Project Gutenberg

Release date

2008-04-04

Rights

Public domain in the USA.

About the author

Anthony Hope

Anthony Hope

1863–1933

Best known for the swashbuckling classic The Prisoner of Zenda, this English novelist helped define the modern adventure romance. His stories mix wit, danger, mistaken identity, and the charm of imaginary kingdoms.

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