
audiobook
by active 14th century Jacopo Alighieri
CHIOSE ALLA CANTICA DELL’INFERNO DI DANTE ALIGHIERI SCRITTE da JACOPO ALIGHIERI
INDICE
ALLA MAESTÀ DEL RE VITTORIO EMANUELE III
PREFAZIONE
SONETTO di Jacopo di Dante a Guido da Polenta.
CODICI
PROEMIO D’Jacopo Figliuolo di Dante Aleghieri sopra la Commedia
Chiose d’Jacopo, figliuolo di Dante Alighieri sopra alla “Commedia”
Comincia il Primo Capitolo
Comincia il II Capitolo
A newly restored edition brings Jacopo Alighieri’s “Chiose”—the earliest commentary on Dante’s Inferno—into clear focus. Meticulously corrected and supported by scholarly notes, the text reveals how Dante’s own son unpacked the poem’s complex allegories, offering a perspective that could only come from someone who heard the verses directly from their creator. Listeners will hear a thoughtful introduction that frames the work’s historical significance and explains why this once‑overlooked manuscript is essential for anyone exploring the foundations of Dante studies.
The surrounding material paints a vivid picture of the Alighieri family’s turbulent exile and their enduring devotion to learning. A heartfelt dedication to the reigning monarch, a sonnet, and a proem set the stage for the detailed chapter‑by‑chapter analysis that follows. As the commentary unfolds, Jacopo’s insights illuminate the moral and theological layers of the Inferno, inviting listeners to experience the poem through the eyes of the poet’s own son.
Full title
Chiose alla cantica dell'Inferno di Dante Alighieri pubblicate per la prima volta in corretta lezione con riscontri e fac-simili di codici, e precedute da una indagine critica
Language
it
Duration
~3 hours (221K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Claudio Paganelli and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2009-12-26
Rights
Public domain in the USA.
A son of Dante who helped carry his father’s legacy into the next generation, he was also a writer in his own right. Active in the 14th century, he is best known for an early commentary on the Divine Comedy and for preserving important details about Dante’s life and work.
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