
By Lord Byron
TO IANTHE.
CANTO THE FIRST.
CANTO THE SECOND.
CANTO THE THIRD.
CANTO THE FOURTH.
The poem opens with a tender address to a young muse, Ianthe, whose beauty inspires the speaker’s yearning for something beyond ordinary life. Through lush, lyrical language Byron introduces a restless young aristocrat, known as Childe Harold, whose early years are marked by reckless revelry and fleeting pleasures. This opening sets a reflective, almost confessional tone that hints at a deeper dissatisfaction beneath the surface of his indulgences.
Seeking escape from the stifling familiarity of his homeland, Harold decides to embark on a pilgrimage across foreign, sun‑baked lands. The verses trace his departure from the ancestral hall, his wanderings through ancient ruins and Mediterranean vistas, and the growing awareness of his own spiritual emptiness. As the journey unfolds, the poem blends vivid travel description with introspective melancholy, inviting listeners to share in the poet’s quest for meaning beyond the hedonistic past.
Language
en
Duration
~3 hours (222K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Les Bowler and David Widger
Release date
2004-02-01
Rights
Public domain in the USA.

1788–1824
A dazzling, rebellious voice of the Romantic age, this poet turned travel, scandal, love, and political passion into some of the most memorable verse in English. His work can be witty, melancholy, dramatic, and surprisingly modern all at once.
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